Burning Man Temple 2017— In collaboration with Marisha Farnsworth, Steve Brummond, John Faichney, Chris Lander & the Temple Crew
Design, Documentation, 3D Modelling, Rendering & Construction for the 2017 Burning Man Temple.
About the Temple
The Temple is one of the major art installations at Burning Man. It is a sacred space for people to reflect, grieve and find resolution. I worked as a design lead on the project, collaboratively with a design team of five that included our lead artists, Marisha Farnsworth and Steve Brummond. It was a great honor to have been awarded the Temple grant through Burning Man Arts to create the 18th iteration of the project.
The Material - Beetle Kill Pine
We were fortunate to be able to use a renewable resource, beetle-kill pine as the primary material for the Temple. Dead logs, felled as a result if California's tree mortality crisis were sourced from the Sierra's and milled in Richmond. Milling our own wood allowed us to use custom sizes.
The Design Process
The process of design for the 2017 Temple started in November 2016 and we worked iteratively through different concepts. Ideas were represented through sketch, 3D models, physical models and renderings.
The Temple Crew started fabrication in May at American Steel Studios, a pre-build site in West Oakland. Pedestals and other components were pre-built and shipped up to Gerlach prior to commencing the on-site build in the desert. At the start of August, three weeks before Burning Man commenced, the crew moved out to the Black Rock Desert, where final building and assembly occured.
The Final Installation
The 2017 Temple opened on the first Monday of the festival and was host to over 60,000 participants. It was a deeply spiritual experience for many and many also left tokens of rememberance attached to the structure. As is the tradition, the Temple was burned at sunset the last day; the third major burn to close out the festival.